U.S. Fish and Wildlife Service - Midwest Region

Snowy owl in tree

A snowy owl in a bare Minnesota tree, from a species that pushes far south of its winter range every few years.

Snowy owl in tree
Snowy owl in tree
Snowy owl in tree shown in a limewash reading corner beside an armchair and a floor lamp - scale render at 45 × 30 cm
Snowy owl in tree shown in a graphite plaster wall at night, lit by a console lamp - scale render at 45 × 30 cm
Snowy owl in tree shown in a beamed room with a greige plaster wall above a long oak sideboard - scale render at 45 × 30 cm
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Material
Size (cm)
Frame
Specification
45 × 30 cm
3 mm Aluminium
No Frame
Mount Kit Included
Price
$140

Free shipping - Arrives in 5-7 days

About this work

Most owls hunt at night. The snowy owl does not: it comes from an Arctic summer of round-the-clock daylight, and it hunts by day. This one was photographed at 2.43 in the afternoon on 7 January 2025, perched partway up a bare deciduous tree in St. Louis County, Minnesota. It faces left, one long pale tail-and-wing line showing against the branches.

Minnesota's wildlife agency says snowy owls usually perch on the ground, or on buildings and utility poles; the tree belongs to the wider list the neighbouring Wisconsin agency keeps. In Minnesota the species is seen most often in the northern half of the state. It carries enough insulation for the Arctic to be one of the heaviest owls in North America, on a four to five foot wingspan. Behind it, blue sky and a grey-purple cloud bank.

Materials

Metal
The edge of a Madtag aluminium print, a thin bright line, floating clear of a dark wall.

Nothing between you and the picture.

  • The surface for work that wants light.
  • Colour at full strength; blacks hold their depth.
  • Sealed under gloss: no frame, no glazing.
  • 3 mm aluminium composite, floats clear of the wall.
Arrives flat, hanging system included
Paper
A Madtag print on a sheet of matte fine art paper, curling at one corner to show its thickness.

Hahnemühle, not poster paper.

  • When you want the best.
  • Unframed, it is Hahnemühle: photographs on Photo Rag 308, 100% cotton.
  • Painterly work on German Etching 310, mould-made and textured.
  • Over 300 gsm, printed as a pigment giclée.
Arrives rolled in a Madtag tube
Framed
The corner of a Madtag print in a black wood frame, the sheet flush against the moulding behind acrylic, no mount board.

For the wall you want finished.

  • Framed and finished; no trip to a framer.
  • A different print: 200 gsm coated silk, made as one piece.
  • Black, white or natural wood moulding.
  • Acrylic glazing, no mount board: the sheet fills the frame.
Arrives flat in its frame
Canvas
A Madtag print on stretched canvas with a solid black wrapped edge.

Nothing lost around the corner.

  • Occupies the room rather than hanging flat.
  • Stretched over a 40 mm deep FSC wood frame.
  • No glazing; the weave itself takes the light.
  • The picture stops at the face; edges solid black, always.
Arrives stretched and ready to hang
See all four in the room