The Long Arc

One unbroken line of light over the Florida coast, drawn by a rocket stage that had already flown once.

The Long Arc
The Long Arc
The Long Arc shown in a limewash reading corner beside an armchair and a floor lamp - scale render at 30 × 45 cm
The Long Arc shown in a graphite plaster wall at night, lit by a console lamp - scale render at 30 × 45 cm
The Long Arc shown in a beamed room with a greige plaster wall above a long oak sideboard - scale render at 30 × 45 cm
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Material
Size (cm)
Frame
Specification
30 × 45 cm
3 mm Aluminium
No Frame
Mount Kit Included
Price
$140

Free shipping - Arrives in 5-7 days

About this work

The first stage that drew this arc had already flown once, launching a cargo run to the space station, and it landed on a drone ship again afterwards. On 11 October 2017 it carried one satellite serving two operators, EchoStar and SES, from Launch Complex 39A at Kennedy Space Center towards geosynchronous transfer orbit.

The whole rocket is one continuous line, a hairline for most of its length and broadening only in the last fifth, where the fan marks the engines shutting down; a fainter trace descends from that fan. Below it the picture runs dark green wetland, then a pink and gold cloud bank, then graded blue sky. Nothing else in the frame is bright, which is why all three registers hold.

Materials

Metal
The edge of a Madtag aluminium print, a thin bright line, floating clear of a dark wall.

Nothing between you and the picture.

  • The surface for work that wants light.
  • Colour at full strength; blacks hold their depth.
  • Sealed under gloss: no frame, no glazing.
  • 3 mm aluminium composite, floats clear of the wall.
Arrives flat, hanging system included
Paper
A Madtag print on a sheet of matte fine art paper, curling at one corner to show its thickness.

Hahnemühle, not poster paper.

  • When you want the best.
  • Unframed, it is Hahnemühle: photographs on Photo Rag 308, 100% cotton.
  • Painterly work on German Etching 310, mould-made and textured.
  • Over 300 gsm, printed as a pigment giclée.
Arrives rolled in a Madtag tube
Framed
The corner of a Madtag print in a black wood frame, the sheet flush against the moulding behind acrylic, no mount board.

For the wall you want finished.

  • Framed and finished; no trip to a framer.
  • A different print: 200 gsm coated silk, made as one piece.
  • Black, white or natural wood moulding.
  • Acrylic glazing, no mount board: the sheet fills the frame.
Arrives flat in its frame
Canvas
A Madtag print on stretched canvas with a solid black wrapped edge.

Nothing lost around the corner.

  • Occupies the room rather than hanging flat.
  • Stretched over a 40 mm deep FSC wood frame.
  • No glazing; the weave itself takes the light.
  • The picture stops at the face; edges solid black, always.
Arrives stretched and ready to hang
See all four in the room