Chennai City Lights

Chennai at night from orbit: a city of 8.7 million under white LED streetlights, whose colour survives only on camera.

Chennai City Lights
Chennai City Lights
Chennai City Lights shown in a limewash reading corner beside an armchair and a floor lamp - scale render at 45 × 30 cm
Chennai City Lights shown in a graphite plaster wall at night, lit by a console lamp - scale render at 45 × 30 cm
Chennai City Lights shown in a beamed room with a greige plaster wall above a long oak sideboard - scale render at 45 × 30 cm
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Material
Size (cm)
Frame
Specification
45 × 30 cm
3 mm Aluminium
No Frame
Mount Kit Included
Price
$140

Free shipping - Arrives in 5-7 days

About this work

At about 9:13 on the evening of 2 May 2026, a photograph from the International Space Station caught Chennai lit white. NASA identifies the street lighting as white LEDs. The metropolitan area holds about 8.7 million people, on India's southern coast. Lit streets fan inland from the shoreline in a dense lattice. At the top-left headland, a bright port or industrial cluster stands apart from the street pattern.

Only a high-resolution photograph keeps the colour: satellites mapping Earth at night measure brightness alone. Christopher Small of Columbia University identifies warmer oranges and yellows in astronaut photographs as likely high-pressure sodium and cooler greens and blues as mercury vapour, two other kinds of lamp. The frame was shot on a 200 mm lens with the Sun 38 degrees below the horizon, so every light in it is artificial.

Materials

Metal
The edge of a Madtag aluminium print, a thin bright line, floating clear of a dark wall.

Nothing between you and the picture.

  • The surface for work that wants light.
  • Colour at full strength; blacks hold their depth.
  • Sealed under gloss: no frame, no glazing.
  • 3 mm aluminium composite, floats clear of the wall.
Arrives flat, hanging system included
Paper
A Madtag print on a sheet of matte fine art paper, curling at one corner to show its thickness.

Hahnemühle, not poster paper.

  • When you want the best.
  • Unframed, it is Hahnemühle: photographs on Photo Rag 308, 100% cotton.
  • Painterly work on German Etching 310, mould-made and textured.
  • Over 300 gsm, printed as a pigment giclée.
Arrives rolled in a Madtag tube
Framed
The corner of a Madtag print in a black wood frame, the sheet flush against the moulding behind acrylic, no mount board.

For the wall you want finished.

  • Framed and finished; no trip to a framer.
  • A different print: 200 gsm coated silk, made as one piece.
  • Black, white or natural wood moulding.
  • Acrylic glazing, no mount board: the sheet fills the frame.
Arrives flat in its frame
Canvas
A Madtag print on stretched canvas with a solid black wrapped edge.

Nothing lost around the corner.

  • Occupies the room rather than hanging flat.
  • Stretched over a 40 mm deep FSC wood frame.
  • No glazing; the weave itself takes the light.
  • The picture stops at the face; edges solid black, always.
Arrives stretched and ready to hang
See all four in the room