Sombrero in Infrared

The Sombrero Galaxy holds roughly 2,000 globular clusters, ten times the Milky Way's count, and a warped inner disc read as evidence of a merger.

Sombrero Galaxy in Near-Infrared
Sombrero Galaxy in Near-Infrared
Sombrero Galaxy in Near-Infrared shown in a limewash reading corner beside an armchair and a floor lamp - scale render at 40 × 40 cm
Sombrero Galaxy in Near-Infrared shown in a graphite plaster wall at night, lit by a console lamp - scale render at 40 × 40 cm
Sombrero Galaxy in Near-Infrared shown in a beamed room with a greige plaster wall above a long oak sideboard - scale render at 40 × 40 cm
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Material
Size (cm)
Frame
Specification
40 × 40 cm
3 mm Aluminium
No Frame
Mount Kit Included
Price
$140

Free shipping - Arrives in 5-7 days

About this work
Sombrero Galaxy in Near-Infrared

Messier 104 sits around 30 million light-years away in the constellation Virgo, turned nearly edge-on. Pierre Mechain, a French comet hunter, logged it in 1781. Its mass runs to about 800 billion Suns. Near-infrared light passes through dust more easily than visible light does, so the dust lane thins and the huge central bulge is lit instead.

Around that bulge lie roughly 2,000 globular clusters, ten times what the Milky Way holds. Each contains hundreds of thousands of old stars, bound by gravity. Low in the right-hand corner a straight blue-white streak crosses the star field. It is one arm of the telescope's own diffraction spike from a bright foreground star. From this angle the inner disc appears tilted inward, like the beginning of a funnel, and that warp is read as evidence of a merger over billions of years.

Materials

Metal
The edge of a Madtag aluminium print, a thin bright line, floating clear of a dark wall.

Nothing between you and the picture.

  • The surface for work that wants light.
  • Colour at full strength; blacks hold their depth.
  • Sealed under gloss: no frame, no glazing.
  • 3 mm aluminium composite, floats clear of the wall.
Arrives flat, hanging system included
Paper
A Madtag print on a sheet of matte fine art paper, curling at one corner to show its thickness.

Hahnemühle, not poster paper.

  • When you want the best.
  • Unframed, it is Hahnemühle: photographs on Photo Rag 308, 100% cotton.
  • Painterly work on German Etching 310, mould-made and textured.
  • Over 300 gsm, printed as a pigment giclée.
Arrives rolled in a Madtag tube
Framed
The corner of a Madtag print in a black wood frame, the sheet flush against the moulding behind acrylic, no mount board.

For the wall you want finished.

  • Framed and finished; no trip to a framer.
  • A different print: 200 gsm coated silk, made as one piece.
  • Black, white or natural wood moulding.
  • Acrylic glazing, no mount board: the sheet fills the frame.
Arrives flat in its frame
Canvas
A Madtag print on stretched canvas with a solid black wrapped edge.

Nothing lost around the corner.

  • Occupies the room rather than hanging flat.
  • Stretched over a 40 mm deep FSC wood frame.
  • No glazing; the weave itself takes the light.
  • The picture stops at the face; edges solid black, always.
Arrives stretched and ready to hang
See all four in the room