Blue Marble, 2012

Earth's western hemisphere, assembled from four orbits of a polar orbiter and rendered from a computed vantage 2,124 kilometres up.

Blue Marble 2012 - Western Hemisphere
Blue Marble 2012 - Western Hemisphere
Blue Marble 2012 - Western Hemisphere shown in a limewash reading corner beside an armchair and a floor lamp - scale render at 40 × 40 cm
Blue Marble 2012 - Western Hemisphere shown in a graphite plaster wall at night, lit by a console lamp - scale render at 40 × 40 cm
Blue Marble 2012 - Western Hemisphere shown in a beamed room with a greige plaster wall above a long oak sideboard - scale render at 40 × 40 cm
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Material
Size (cm)
Frame
Specification
40 × 40 cm
3 mm Aluminium
No Frame
Mount Kit Included
Price
$140

Free shipping - Arrives in 5-7 days

About this work
Blue Marble 2012 - Western Hemisphere

On 4 January 2012 a new NASA satellite read the Earth in strips, and four orbits of what its VIIRS instrument recorded that day became this disc. NASA published it on 25 January, one day after the spacecraft was renamed Suomi NPP for Verner E. Suomi, recognised as the father of satellite meteorology.

The disc is centred on North and Central America. VIIRS reads a strip 3,000 kilometres wide and the Earth is 12,756 kilometres across at the equator, so this hemisphere took four orbits. At full size no seam or tile boundary shows, and the light falls consistently across every landmass and cloud field. The vantage is computed: a near-sided perspective from 2,124 kilometres above 20 degrees north, 100 degrees west, against the satellite's own 830 kilometres.

Materials

Metal
The edge of a Madtag aluminium print, a thin bright line, floating clear of a dark wall.

Nothing between you and the picture.

  • The surface for work that wants light.
  • Colour at full strength; blacks hold their depth.
  • Sealed under gloss: no frame, no glazing.
  • 3 mm aluminium composite, floats clear of the wall.
Arrives flat, hanging system included
Paper
A Madtag print on a sheet of matte fine art paper, curling at one corner to show its thickness.

Hahnemühle, not poster paper.

  • When you want the best.
  • Unframed, it is Hahnemühle: photographs on Photo Rag 308, 100% cotton.
  • Painterly work on German Etching 310, mould-made and textured.
  • Over 300 gsm, printed as a pigment giclée.
Arrives rolled in a Madtag tube
Framed
The corner of a Madtag print in a black wood frame, the sheet flush against the moulding behind acrylic, no mount board.

For the wall you want finished.

  • Framed and finished; no trip to a framer.
  • A different print: 200 gsm coated silk, made as one piece.
  • Black, white or natural wood moulding.
  • Acrylic glazing, no mount board: the sheet fills the frame.
Arrives flat in its frame
Canvas
A Madtag print on stretched canvas with a solid black wrapped edge.

Nothing lost around the corner.

  • Occupies the room rather than hanging flat.
  • Stretched over a 40 mm deep FSC wood frame.
  • No glazing; the weave itself takes the light.
  • The picture stops at the face; edges solid black, always.
Arrives stretched and ready to hang
See all four in the room