Pluto's Heart, 2015

Pluto's heart, seen by the first spacecraft to reach it, and the nitrogen ice cycle in it that drives the dwarf planet's winds.

The Rich Color Variations of Pluto
The Rich Color Variations of Pluto
The Rich Color Variations of Pluto shown in a limewash reading corner beside an armchair and a floor lamp - scale render at 40 × 40 cm
The Rich Color Variations of Pluto shown in a graphite plaster wall at night, lit by a console lamp - scale render at 40 × 40 cm
The Rich Color Variations of Pluto shown in a beamed room with a greige plaster wall above a long oak sideboard - scale render at 40 × 40 cm
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Material
Size (cm)
Frame
Specification
40 × 40 cm
3 mm Aluminium
No Frame
Mount Kit Included
Price
$140

Free shipping - Arrives in 5-7 days

About this work
The Rich Color Variations of Pluto

On 14 July 2015 New Horizons became the first spacecraft to reach Pluto, ending a voyage of more than three billion miles begun in January 2006. Clyde Tombaugh had found it in 1930 as a moving dot on photographic plates at Lowell Observatory. Pluto is 2,377 kilometres across, about a fifth the width of Earth. It sits in the Kuiper Belt. The heart now carries his name.

Colour is enhanced from blue, red and infrared frames, because many landforms carry their own distinct colour. The pale heart is not centred: its ragged left border runs roughly down the disc's own midline, and it fades into grey cratered ground short of the right-hand limb. Nitrogen ice there sublimes each day and condenses back each night, and that cycle drives winds that circulate around Pluto at up to 20 miles an hour.

Materials

Metal
The edge of a Madtag aluminium print, a thin bright line, floating clear of a dark wall.

Nothing between you and the picture.

  • The surface for work that wants light.
  • Colour at full strength; blacks hold their depth.
  • Sealed under gloss: no frame, no glazing.
  • 3 mm aluminium composite, floats clear of the wall.
Arrives flat, hanging system included
Paper
A Madtag print on a sheet of matte fine art paper, curling at one corner to show its thickness.

Hahnemühle, not poster paper.

  • When you want the best.
  • Unframed, it is Hahnemühle: photographs on Photo Rag 308, 100% cotton.
  • Painterly work on German Etching 310, mould-made and textured.
  • Over 300 gsm, printed as a pigment giclée.
Arrives rolled in a Madtag tube
Framed
The corner of a Madtag print in a black wood frame, the sheet flush against the moulding behind acrylic, no mount board.

For the wall you want finished.

  • Framed and finished; no trip to a framer.
  • A different print: 200 gsm coated silk, made as one piece.
  • Black, white or natural wood moulding.
  • Acrylic glazing, no mount board: the sheet fills the frame.
Arrives flat in its frame
Canvas
A Madtag print on stretched canvas with a solid black wrapped edge.

Nothing lost around the corner.

  • Occupies the room rather than hanging flat.
  • Stretched over a 40 mm deep FSC wood frame.
  • No glazing; the weave itself takes the light.
  • The picture stops at the face; edges solid black, always.
Arrives stretched and ready to hang
See all four in the room